Die Ölgemälde alles Martin Drolling
Choice ID Image  Painting (From A to Z)       Details 
43636 Alms to the Poor  Alms to the Poor   Oil on panel 34 x 28 cm
31046 Interieur de cuisine  Interieur de cuisine   mk71 Bois H.0.31 L.0.37 Bailleul.Musee Benoit-Dt-Puydt
20717 Interior of a Kitchen (mk05)  Interior of a Kitchen (mk05)   1815 Canvas 25 1/2 x 32''(65 x 81 cm)Acquired from the Salon of 1817 INV
31047 Le Colporteur  Le Colporteur   mk71 Toile H.0.65 L.0.81 Musee Benoit-De-Puydt a Bailleul
62364 Portrait of the Artist's Son as a Drummer  Portrait of the Artist's Son as a Drummer   120 x 76 cm Private collection The artist's son, Michel-Martin (1786-1851), was also a painter
43812 Portrait of the Artist-s Son as a Drummer  Portrait of the Artist-s Son as a Drummer   Oil on canvas, 120 x 76 cm
52608 Portrait of the Artist-s Son as a Drummer  Portrait of the Artist-s Son as a Drummer   Oil on canvas, 120 x 76 cm
80988 Portrait of the Artists Son as a Drummer  Portrait of the Artists Son as a Drummer   2nd half of 18th century Medium Oil on canvas Dimensions Height: 120 cm (47.2 in). Width: 76 cm (29.9 in). cyf
52622 The Messenger or The Good New  The Messenger or The Good New   1806 Oil on canvas
37394 The woman and the Mouse  The woman and the Mouse   mk125
Martin Drolling
1752-1817 B.Oberbergheim French Martin Drolling Art Gallery After receiving initial training from an unknown painter in Selestat, Drolling moved to Paris, where he attended courses at the Academie Royale. He supplemented his education there by studying Flemish and Dutch Old Masters in the collection at the Luxembourg Palace. From the Flemish school he derived his own rich impasto, while the Dutch was to influence him in his meticulous, supremely descriptive and unsentimental style of painting as well as his choice of subject-matter: unfussy bourgeois interiors and frank portraits. Drolling first exhibited at the Salon de la Correspondance in 1781 and again in 1782 and 1789. After the French Revolution he was able to participate in the Salon at the Louvre, despite the fact that he had never become a member of the Academie Royale. He exhibited from 1793 to 1817, although the majority of his works extant today were shown after 1800. From 1802 to 1813 he was employed by the Sevres porcelain manufactory, and many of his designs were engraved.



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